I'm jumping in at literally the 11th hour to add a few thoughts to this discussion generated by Andy Adams and Miki Johnson.
Point-the-first: I'm of the opinion that
In 1982, Bill Moyers was conducting a PBS series titled Creativity, and in that year he did a 30-minute episode dealing with the working life of two very different photographers, Gary Winogrand and
I've been thinking about art publications lately, and art presses, publishing houses, the things that get made in them and the kinds of aesthetics and philosophies that get bundled between the pages and pushed along with the publication itself. Over the next few posts, I want to perform a kind of in
Sophie Calle is not an artist, but an editor...what she practices is an edit without questions, without premise, only formula. She calls the premise for her projects her ideas, says that she is full of ideas, but Ideas they are not; these are parlor questions. She frames herself through the referenc
i have a friend that works for a prestigious photography gallery in manhattan. whenever we get together, i am regaled with tales of the unchecked purchasing power of the bourgeoisie, the wheelings-and-dealings of