i have a friend that works for a prestigious photography gallery in manhattan.whenever we get together, i am regaled with tales of the unchecked purchasing power of the bourgeoisie, the wheelings-and-dealings of the owner (who for the purposes of anonymity i’ll just refer to here as “mr. burns,” but in reality we have made up a hip-hop alias based on his real name), and not least of all, we commiserate over the smack-you-in-the-gut intensity of some of the truly stunning images which pass through his hands, going on-and-off of the gallery walls.
mr. burns traffics in some of my most favorite image-makers, and i am usually quietly surprised by at least a few things that are hanging at any given time i have been able to make the trip. over a long dinner and a bottle of wine, we mused at what we would attempt to purloin from mr. burns, if money were no object and we could take anything in the collection.my friend asked me what my choice was and i said without hesitation: that roy decarava print of the dancers taken in the 1950’s. this one: