Sophie Calle is not an artist, but an editor…what she practices is an edit without questions, without premise, only formula. She calls the premise for her projects her ideas, says that she is full of ideas, but Ideas they are not; these are parlor questions. She frames herself through the references of repetition and disappearance, but doesn’t use them in an authentic or true way. What she does is manipulate these references to distill and create an affect. What she creates isn’t related to thinking; what she creates is affectation. As an editor, she is also a greedy one, taking and taking and taking. Instead of trafficking in ideas or thinking, she takes other people’s thoughts and experiences as her art supplies, and then calls it collaboration.
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