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	<title>the space in between &#187; japanese photography</title>
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	<description>&#34;...that accident which pricks me (but also bruises me, is poignant to me).&#34;</description>
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		<title>the personal aesthetic</title>
		<link>http://the-space-in-between.com/2007/03/12/the-personal-aesthetic/</link>
		<comments>http://the-space-in-between.com/2007/03/12/the-personal-aesthetic/#comments</comments>
		<pubDate>Tue, 13 Mar 2007 06:59:47 +0000</pubDate>
		<dc:creator>stacy oborn</dc:creator>
				<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[bill brandt]]></category>
		<category><![CDATA[japanese photography]]></category>
		<category><![CDATA[masao yamamoto]]></category>
		<category><![CDATA[wabi-sabi]]></category>
		<category><![CDATA[personal aesthetics]]></category>

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		<description><![CDATA[does one learn aesthetics or does aesthetics learn you? meaning: is aesthetics a panoply of ideas and concerns one encounters in a ripe and meaningful fashion, something to add to an artistic arsenal that will further give shape and weight to work made--or is it a different kind of encounter, a shocking familiarity, when you realize that a fully articulated way of thinking about something is one that you have always had and always carried with you, unawares. until that moment of encounter.]]></description>
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		<title>influences and confluences</title>
		<link>http://the-space-in-between.com/2005/11/14/influences-and-confluences/</link>
		<comments>http://the-space-in-between.com/2005/11/14/influences-and-confluences/#comments</comments>
		<pubDate>Mon, 14 Nov 2005 15:32:34 +0000</pubDate>
		<dc:creator>stacy oborn</dc:creator>
				<category><![CDATA[birds]]></category>
		<category><![CDATA[camille solygua]]></category>
		<category><![CDATA[japanese photography]]></category>
		<category><![CDATA[masao yamamoto]]></category>
		<category><![CDATA[michael ackerman]]></category>
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		<category><![CDATA[stacy oborn]]></category>
		<category><![CDATA[thoughts on art and making]]></category>

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		<description><![CDATA[to have the knowledge that you seek a particular vein of something is to be aware of not only your tastes, but what influences you, creates bias and division, separates one set of concerns from another. connoisseurship, perhaps, but also a little bit of greek wisdom: to know why you are drawn to specific things, [...]]]></description>
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		<title>what little girls want: the art of miwa yanagi</title>
		<link>http://the-space-in-between.com/2005/07/10/what-little-girls-want-the-art-of-miwa-yanagi/</link>
		<comments>http://the-space-in-between.com/2005/07/10/what-little-girls-want-the-art-of-miwa-yanagi/#comments</comments>
		<pubDate>Sun, 10 Jul 2005 20:52:00 +0000</pubDate>
		<dc:creator>stacy oborn</dc:creator>
				<category><![CDATA[japanese photography]]></category>
		<category><![CDATA[michiko kon]]></category>
		<category><![CDATA[miwa yanagi]]></category>
		<category><![CDATA[other people]]></category>
		<category><![CDATA[elevator girls]]></category>
		<category><![CDATA[fairytales]]></category>
		<category><![CDATA[grandmothers]]></category>
		<category><![CDATA[noriko fuku]]></category>
		<category><![CDATA[women in photography]]></category>

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		<description><![CDATA[miwa yanagi creeps me out--in all the good kinds of ways.  her images carry the capacity to go from surface to psychological in lightning-quick speed, and what lay in the subconscious afterwards folds into complex unease with a lingering, distinct aftertaste...her visual problem-solving mingled with her confidence in her questions and critque makes her among the most interesting and provactive image makers today.]]></description>
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