Comments for the space in between http://the-space-in-between.com "...that accident which pricks me (but also bruises me, is poignant to me)." Fri, 16 May 2008 16:57:52 +0000 http://wordpress.org/?v=2.5.1 Comment on A Practice Without Center: the Work of Sophie Calle by Lauren http://the-space-in-between.com/2008/05/05/a-practice-without-center-the-work-of-sophie-calle/#comment-121 Lauren Wed, 07 May 2008 19:43:47 +0000 http://the-space-in-between.com/?p=28#comment-121 I'm so glad to have found your writing (via a link on wood s lot). I'm not familiar with Sophie Calle at all, but the issues that concern you and your writing are very important to me -- the concept of making and how it informs our understanding of the artistic process and the artwork itself. I've written about it before as the 'aesthetics of process' but I still feel very far from even being able to articulate the problems I feel on an essential but obscure level. I'm really looking forward to working through your archives. I’m so glad to have found your writing (via a link on wood s lot). I’m not familiar with Sophie Calle at all, but the issues that concern you and your writing are very important to me — the concept of making and how it informs our understanding of the artistic process and the artwork itself. I’ve written about it before as the ‘aesthetics of process’ but I still feel very far from even being able to articulate the problems I feel on an essential but obscure level.

I’m really looking forward to working through your archives.

]]> Comment on A Practice Without Center: the Work of Sophie Calle by On Shadow » Sophie Calle http://the-space-in-between.com/2008/05/05/a-practice-without-center-the-work-of-sophie-calle/#comment-120 On Shadow » Sophie Calle Mon, 05 May 2008 14:52:44 +0000 http://the-space-in-between.com/?p=28#comment-120 [...] and others.  It’s a pretty strong essay, whatever your views on Calle are, and I urge you to go take a look at it. Among the many quoteworthy passages: Robert Storr had it right back in 2003, when he wrote in Art [...] [...] and others.  It’s a pretty strong essay, whatever your views on Calle are, and I urge you to go take a look at it. Among the many quoteworthy passages: Robert Storr had it right back in 2003, when he wrote in Art [...]

]]> Comment on the limits of photographic character: images you thought never existed by A Practice Without Center: the Work of Sophie Calle | the space in between http://the-space-in-between.com/2006/09/27/the-limits-of-photographic-character-images-you-thought-never-existed/#comment-118 A Practice Without Center: the Work of Sophie Calle | the space in between Mon, 05 May 2008 12:47:33 +0000 http://the-space-in-between.com/?p=26#comment-118 [...] begin, I’d like to revisit a schematic I brought up in an earlier post, that of Photographic Character. This is what I wrote on it [...] [...] begin, I’d like to revisit a schematic I brought up in an earlier post, that of Photographic Character. This is what I wrote on it [...]

]]> Comment on Art on the (not-so) Cheap: on friendship, wishful thinking and AIPAD by Adrien http://the-space-in-between.com/2008/04/16/art-on-the-not-so-cheap-on-friendship-wishful-thinking-and-aipad/#comment-117 Adrien Mon, 28 Apr 2008 02:04:17 +0000 http://the-space-in-between.com/?p=32#comment-117 I never would have seen so many extraordinary images without your prompting, but I'm much more thankful for being exposed to them in the context of your writing about what you find beautiful. I never would have seen so many extraordinary images without your prompting, but I’m much more thankful for being exposed to them in the context of your writing about what you find beautiful.

]]> Comment on Art on the (not-so) Cheap: on friendship, wishful thinking and AIPAD by g http://the-space-in-between.com/2008/04/16/art-on-the-not-so-cheap-on-friendship-wishful-thinking-and-aipad/#comment-116 g Mon, 21 Apr 2008 13:20:34 +0000 http://the-space-in-between.com/?p=32#comment-116 So what do you think it is about the older work you like that makes it meaningful to you? Or what is it about contemporary work that keeps it from being so? So what do you think it is about the older work you like that makes it meaningful to you? Or what is it about contemporary work that keeps it from being so?

]]>