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	<title>the space in between &#187; thoughts on art and making</title>
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	<description>"...that accident which pricks me (but also bruises me, is poignant to me)."</description>
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		<title>Guilty Pleasures and Publishing, Part I: On Nazraeli Press, Asako Narahashi, Ando Hiroshige (and tea)</title>
		<link>http://the-space-in-between.com/2008/10/17/my-love-affair-with-nazraeli-press/</link>
		<comments>http://the-space-in-between.com/2008/10/17/my-love-affair-with-nazraeli-press/#comments</comments>
		<pubDate>Fri, 17 Oct 2008 18:29:18 +0000</pubDate>
		<dc:creator>stacy oborn</dc:creator>
				<category><![CDATA[askao narahashi]]></category>
		<category><![CDATA[japanese photography]]></category>
		<category><![CDATA[masao yamamoto]]></category>
		<category><![CDATA[michiko kon]]></category>
		<category><![CDATA[nazraeli press]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[thoughts on art and making]]></category>
		<category><![CDATA[what i'm reading]]></category>
		<category><![CDATA[art presses]]></category>
		<category><![CDATA[artist books]]></category>
		<category><![CDATA[asako narahashi]]></category>

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		<description><![CDATA[I've been thinking about art publications lately, and art presses, publishing houses, the things that get made in them and the kinds of aesthetics and philosophies that get bundled between the pages and pushed along with the publication itself.  Over the next few posts, I want to perform a kind of informal analysis of a few different variations and takes on this theme, but to begin let's take a look at a long-standing favorite mover and maker.]]></description>
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		<title>A Practice Without Center: the Work of Sophie Calle</title>
		<link>http://the-space-in-between.com/2008/05/05/sophie-calle-a-practice-without-center/</link>
		<comments>http://the-space-in-between.com/2008/05/05/sophie-calle-a-practice-without-center/#comments</comments>
		<pubDate>Mon, 05 May 2008 06:47:42 +0000</pubDate>
		<dc:creator>stacy oborn</dc:creator>
				<category><![CDATA[academies and institutions]]></category>
		<category><![CDATA[criticism]]></category>
		<category><![CDATA[sophie calle]]></category>
		<category><![CDATA[thoughts on art and making]]></category>
		<category><![CDATA[cautionary tales]]></category>
		<category><![CDATA[walter benjamin]]></category>

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		<description><![CDATA[Sophie Calle is not an artist, but an editor...what she practices is an edit without questions, without premise, only formula. She calls the premise for her projects her ideas, says that she is full of ideas, but Ideas they are not; these are parlor questions. She frames herself through the references of repetition and disappearance, but doesn't use them in an authentic or true way. What she does is manipulate these references to distill and create an affect. What she creates isn't related to thinking; what she creates is affectation. As an editor, she is also a greedy one, taking and taking and taking. Instead of trafficking in ideas or thinking, she takes other people's thoughts and experiences as her art supplies, and then calls it collaboration.]]></description>
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		<title>Art on the (not-so) Cheap: on friendship, wishful thinking and AIPAD</title>
		<link>http://the-space-in-between.com/2008/04/16/aipad-art-on-the-not-so-cheap/</link>
		<comments>http://the-space-in-between.com/2008/04/16/aipad-art-on-the-not-so-cheap/#comments</comments>
		<pubDate>Thu, 17 Apr 2008 01:58:53 +0000</pubDate>
		<dc:creator>stacy oborn</dc:creator>
				<category><![CDATA[art trips]]></category>
		<category><![CDATA[thoughts on art and making]]></category>
		<category><![CDATA[aipad]]></category>

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		<description><![CDATA[i have a friend that works for a prestigious photography gallery in manhattan.  whenever we get together, i am regaled with tales of the unchecked purchasing power of the bourgeoisie, the wheelings-and-dealings of the owner (who for the purposes of anonymity i&#8217;ll just refer to here as &#8220;mr. burns,&#8221; but in reality we have [...]]]></description>
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