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	<title>the space in between &#187; nazraeli press</title>
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	<description>"...that accident which pricks me (but also bruises me, is poignant to me)."</description>
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		<title>Guilty Pleasures and Publishing, Part I: On Nazraeli Press, Asako Narahashi, Ando Hiroshige (and tea)</title>
		<link>http://the-space-in-between.com/2008/10/17/my-love-affair-with-nazraeli-press/</link>
		<comments>http://the-space-in-between.com/2008/10/17/my-love-affair-with-nazraeli-press/#comments</comments>
		<pubDate>Fri, 17 Oct 2008 18:29:18 +0000</pubDate>
		<dc:creator>stacy oborn</dc:creator>
				<category><![CDATA[askao narahashi]]></category>
		<category><![CDATA[japanese photography]]></category>
		<category><![CDATA[masao yamamoto]]></category>
		<category><![CDATA[michiko kon]]></category>
		<category><![CDATA[nazraeli press]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[thoughts on art and making]]></category>
		<category><![CDATA[what i'm reading]]></category>
		<category><![CDATA[art presses]]></category>
		<category><![CDATA[artist books]]></category>
		<category><![CDATA[asako narahashi]]></category>

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		<description><![CDATA[I've been thinking about art publications lately, and art presses, publishing houses, the things that get made in them and the kinds of aesthetics and philosophies that get bundled between the pages and pushed along with the publication itself.  Over the next few posts, I want to perform a kind of informal analysis of a few different variations and takes on this theme, but to begin let's take a look at a long-standing favorite mover and maker.]]></description>
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