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	<title>the space in between &#187; art trips</title>
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	<description>&#34;...that accident which pricks me (but also bruises me, is poignant to me).&#34;</description>
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		<title>Art on the (not-so) Cheap: on friendship, wishful thinking and AIPAD</title>
		<link>http://the-space-in-between.com/2008/04/16/aipad-art-on-the-not-so-cheap/</link>
		<comments>http://the-space-in-between.com/2008/04/16/aipad-art-on-the-not-so-cheap/#comments</comments>
		<pubDate>Thu, 17 Apr 2008 01:58:53 +0000</pubDate>
		<dc:creator>stacy oborn</dc:creator>
				<category><![CDATA[art trips]]></category>
		<category><![CDATA[thoughts on art and making]]></category>
		<category><![CDATA[aipad]]></category>

		<guid isPermaLink="false">http://the-space-in-between.com/?p=32</guid>
		<description><![CDATA[i have a friend that works for a prestigious photography gallery in manhattan. whenever we get together, i am regaled with tales of the unchecked purchasing power of the bourgeoisie, the wheelings-and-dealings of the owner (who for the purposes of anonymity i&#8217;ll just refer to here as &#8220;mr. burns,&#8221; but in reality we have made [...]]]></description>
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		<slash:comments>5</slash:comments>
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		<title>the limits of photographic character: images you thought never existed</title>
		<link>http://the-space-in-between.com/2006/09/27/diane-arbus-and-the-limits-of-photographic-character/</link>
		<comments>http://the-space-in-between.com/2006/09/27/diane-arbus-and-the-limits-of-photographic-character/#comments</comments>
		<pubDate>Thu, 28 Sep 2006 05:40:08 +0000</pubDate>
		<dc:creator>stacy oborn</dc:creator>
				<category><![CDATA[art trips]]></category>
		<category><![CDATA[diane arbus]]></category>
		<category><![CDATA[other people]]></category>
		<category><![CDATA[personal aesthetics]]></category>
		<category><![CDATA[photographic character]]></category>
		<category><![CDATA[self-portrait]]></category>

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		<description><![CDATA[beyond my first flush of shock and thinking that this is a photograph i'd never imagined she'd make, i have come instead to see that this image is really a prelude to all the other photographs that i have come to know as arbus's--touching, vulnerable, a little skewed--as if she made this one imprint of herself before she went out seeking the same in the world over the next twenty-odd years.

arbus is 22. pregnant with her first child, doon. her husband is in military service in india. it is 1945, and she is living with her parents. this will be one of a series of images that she will make and send to her absent spouse, and one of the only self-portraits of diane arbus that i've ever known.]]></description>
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		<title>that which moves and shakes</title>
		<link>http://the-space-in-between.com/2006/05/22/william-kentridge-that-which-moves-and-shakes/</link>
		<comments>http://the-space-in-between.com/2006/05/22/william-kentridge-that-which-moves-and-shakes/#comments</comments>
		<pubDate>Tue, 23 May 2006 06:42:59 +0000</pubDate>
		<dc:creator>stacy oborn</dc:creator>
				<category><![CDATA[academies and institutions]]></category>
		<category><![CDATA[art trips]]></category>
		<category><![CDATA[sigmund freud]]></category>
		<category><![CDATA[thoughts on art and making]]></category>
		<category><![CDATA[william kentridge]]></category>
		<category><![CDATA[black box]]></category>
		<category><![CDATA[chambre noire]]></category>
		<category><![CDATA[new media]]></category>
		<category><![CDATA[south africa]]></category>

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		<description><![CDATA[what was so extraordinary about black box was that it managed so many things that art usually so stupendously fails at dealing with: things that have to do with politics both past and present; cultural guilt and grief; memory and forgetting; the evocation of universal themes and then the subsequent questioning of what those themes are, what their validity is in the face of changed contexts, agency or audience; and it did all of these things while still managing to be startlingly, breath-gasping-and-all beautiful. it doesn't try to do or invoke any of the above tropes or themes, but it fully realizes them all. seeing this piece set me about a mad rush to find, see and ingest as much of kentridge's words and works as i could find.]]></description>
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